Multimedia artist, graduated from the Guignard School, 1987. Gallinari developed her drawing and painting skills with experiments using other materials such as ceramic and media like video animation. She got her bachelor degree from Faculdade Santa Marcelina, later becoming a member of Tomie Ohtake Institute’s faculty for almost ten years.
She carried out many solo shows, among them: in 1990 at Sala Arlinda Correa, at Palácio das Artes (Belo Horizonte); in 1997 ABRA/ CocaCola Project, Paço das Artes, (São Paulo); 2003, Pampulha Project, curated by Adriano Pedrosa and Rodrigo Moura, Museu de Arte da Pampulha (Belo Horizonte); 2018 - Desenho + Pintura, Manoel Macedo Arte, (Belo Horizonte); exhibiting her work in cities like São Paulo, Buenos Aires, New York. Her latest solo show in 2020 was Desenho, Varanda Project, Casa de Cultura do Parque, (São Paulo).
Gallinari also participated in group exhibitions: 2000 - 26th Pontevedra Biennial, curated by Maria De Corral, Galicia, Spain. In the same year she participated in the 1st Bridgestone Biennial, at Centro Cultural Borges, in Buenos Aires and in the exhibition Wall Drawings, at The Drawing Center, in New York. In 2003, she participated in Subversão dos Meios, curated by Maria Alice Milet, at Instituto Cultural Itaú, (São Paulo); Ordenação e Vertigem, at Centro Cultural Banco do Brasil, curated by Agnaldo Farias. In 2005, Desenhos de A a Z, curated by Adriano Pedrosa, Madeira Corporate Services Collection, Madeira Island, Portugal. In 2006, she participated in Geração da Virada- 10+1, curated by Agnaldo Farias and Moacir dos Anjos. In 2008, together with the artists Kiki Smith and Catherine Opie, she carried out at Falconer Gallery, Iowa, USA, the exhibition Disarticulated Bodies/ Destabilized Meanings, curated by Alanna Nissen. In 2003 and 2008 she was part of Arco, Madrid, Spain. She also participated in the exchange project between Japanese and Brazilian artists, Sessão Criativa Brasil Japão, Kawasaki City Museum, Japan, curated by Futoshi Yoshizawa. Between 2010 and 2016, she continued to exhibit her work in Brasília, São Paulo, Curitiba and Belo Horizonte. In 2019 she was invited to an action, experience and artistic residency project at Galpões Santo Antônio, Amparo, São Paulo, curated by Adriana Penteado; and the exhibition Tempos Sensíveis, curator: Agnaldo Farias, at Museu de Arte Contemporânea do Paraná.
As an illustrator, Adrianne’s works were published in Ilustríssima, Bravo magazine, the newspaper Folha de São Paulo. In books, the highlights are “The Secret Sharer” by Joseph Conrad and “O Fazedor de Velhos” by Rodrigo Lacerda, both published by Cosac Naify.
Her works are part of collections like: Itaú Cultural-São Paulo - Brazil, Madeira Corporate Service Collection – Madeira Island-Portugal, Museu de Arte da Pampulha- Minas Gerais -Brazil and Banco de España – Madrid - Spain.